Exhibition Highlights:

Kristy Gordon's "Planetary" (2024)

This monumental triptych, akin to Bosch's "Garden of Earthly Delights," leads viewers from darkness to light. Each panel, though compositionally independent, contributes to a larger narrative of mysticism and esoteric traditions. This massive 7-foot-tall by 11-foot-wide oil painting hangs unstretched like a tapestry, inviting viewers to explore its mystical realms.

Diana Kurz's "Study for Durga" (1977)
This watercolor study of the Hindu deity Durga, a symbol of strength and protection, is the only piece not housed in an institution. It connects viewers to the power and fierceness of the feminine divine, aligning with the themes explored in the Sister Chapel at Rowan University.

Other notable works include:

• Brianna Lance's "The Feminine Aspect" (2024)

• Sasha Yosselani's "Transfiguration" series (2023)

• Bokani's "The Nine Spheres of Heaven" (2024)

• Mary Kate Maher's "Vessel and Reliquary Figure 3" (2023)

• Gabriella Mazza's "King Arthur’s Daughter’s Nightly Stroll" (2023)

About The Curator:
Marina Press Granger, founder of The Artist Advisory, blends practical business guidance with mystical insights. Holding an MA in Art History from CUNY and a BA from Pace University, she is also a Reiki Master and certified in Classical Chinese Feng Shui. Her work has been featured in publications like Forbes, Time Out New York, Hyperallergic, The Art Gorgeous, and Create! Magazine.

Visit Article

Create! Magazine

Announcing The Feminine Divine Group Exhibition at The FORMah in NYC

By Ekaterina Popova

July 24th, 2024

Create! Magazine is thrilled to announce the upcoming group exhibition, The Feminine Divine, curated by Marina Press Granger, the founder of The Artist Advisory. The exhibition delves into the deeply rooted spiritual belief that everyone embodies aspects of both the feminine and the masculine divine. While the masculine divine is associated with structure and the physical world, the feminine divine embraces intuitive qualities. The exhibition will showcase over a dozen artworks exploring these feminine divine aspects: Creativity, Intuition, Collaboration, Nurturing, Receptiveness, Empathy, and Connection with the natural world.

Group Exhibition Featuring: Yana Beylinson, Bokani, Kristy Gordon, Michelle Hinebrook, EE Kono, Diana Kurz, Brianna Lance, Mary Kate Maher, Gabriella Mazza, Katie Southworth, Deirdre Sullivan-Beeman, Sasha Yosselani

Deirdre Sullivan Beeman's "Plucked Till Time" (2022)
In this piece, a heroine harmonizes with her divine Blue Jay daemon, encapsulating the sacred cycles of creation and nurturing. The artwork echoes the lunar phases, urging viewers to reconnect with ancient wisdom and the feminine divine.

Yana Beylinson's "Rachel (After Rachel Ruysch)" (2021)
Beylinson's homage to 17th-century Dutch flower painter Rachel Ruysch explores composition, light, and expression. Combining Chinese brush painting techniques with object simplification, Beylinson channels Ruysch’s spirit in this mindful creation.

EE Kono's "Amabie Torque" (2021)

Blending the Japanese yokai Amabie with Irish fairy tale mystic beings, this piece features symbols like pinecones and eyes, believed to ward off bad luck. The painting is a contemporary reflection on ancient folklore, offering protection and insight.

Michelle Hinebrook's "Garden Guts" (2024)

Inspired by the "Hymn to Demeter," this piece captures the myth of Persephone's abduction and the ensuing stillness in nature. It parallels Hinebrook's personal healing journey, revealing the transformative power of nature and inner darkness.

Katie Southworth's "Atatakami" (2023)
Named after a Japanese word for warmth and acceptance, this piece reflects Southworth’s experiences of connection and independence within a new art community. It highlights the importance of acceptance and connection for artistic development and personal growth.